Daily Deal - Get It Before It’s Gone from Tactics.com! We Search top stores daily so you don't have to.
okto.com - Powered by Service

OKTO.com

You are here:Home»OKTO.com - OKTO.com




Clarifying Mens Fashion Quality Details on Mens Ties

Clarifying Mens Fashion Quality Details on Mens Ties

Clarifying Mens Fashion Quality Details on Mens Ties To appreciate the details on mens ties allows the recognition and justification of the quality of a well-made tie. Actually there are very few men out there who really know about these details.
Craftmanship is the determining factor for any well-made neckties. Systematically, we will go through the details on mens ties starting from the fabric and then to the all the inconspicuous detailing behind the tie.

Neckties Fabrics
  • Whenever we look at a necktie's fabric, we should take special attention to the weight, texture, and feel of the tie's fabrics which is termed as the "hand".
  • A beautiful fuller hand of the fabric is one of the most important details on mens ties. It is the basis of making mens ties look attractive.
  • Undeniably, silk or even silk blends are the fabric of choice because of its smooth touch and its luxurious sheen.
  • It has great matching capability against mens dress shirts and mens suits to bring out the best of the overall look.
  • Good quality silk ties should always feel smooth to the touch. If there is a rough touch to it would mean it is made from inferior silk.
  • On the other hand, for woven silk ties with a full hand would involve a thick weave and this is likely to create a slightly coarser texture for the silk. Printed and solid colored ties are likely to have a silkier hand compared to woven ties.
  • Besides being smooth, good quality silk ties are lithe because stiff silk fabrics are usually signs of multiple dying. This makes the ties less likely to have a nice drape down. It can also begin to fray over time at the ends.
  • The reason for full hand fabric details on mens ties is to make it strong and firm in order to sustain the tension made when knotting it.
  • Instead, for those lower quality mens ties with poor hand will start to waver and go out of shape over time.
  • Fabric with a rich hand will also allow larger knots to be made to fill the gap between the dress shirts' collar points. It holds the knot firmly as well without it sliding down.

    Three-piece Construction
  • Most of the well-made ties are constructed with three pieces of silk fabrics. Let us define the three-pieces of silk: the apron (the wide front piece), the neckband (center portion piece), and lastly, the backpiece (narrow end of the tie).
  • The three-piece, not two, allows the mens ties to drape nicely and conform to the neck.

    Width and Length
  • Out of all the details of mens ties, the width has made the most significant changes along with trends.
  • The 1950s we have seen much narrower and thinner ties compared to the thicker and wider neckties in the 1960s.
  • Classic mens ties generally have a width of about 2 ? to 3 1/2 inches. This width meets in proportion to most the men's body size and shapes and having such a balance is important.
  • It is good to note that wider mens ties will generally mean a bigger knot when ties. So there would be difficulty tying those thinner knots and vice versa for thin neckties for tying thicker knots.
  • So choosing the right dress shirts collars for such trendy width neckties is important.
  • Straight point and tab collars for dress shirts would definitely fit those thinner ties better. Forget about those spread collars because the small knots made by thinner ties would be able to cover up the gap between the collar points.
  • Generally, we will find ties with length from 52 to 58 inches. As a rule of thumb, mens ties should have length with tips ending at the belt's upper edge. Anything longer than that will definitely make men look short-waisted and clowny.
  • The right length details of mens ties boils down to the height of the men. For taller men, special length ties are less available commercially but can still be found here.

    Lining
  • This is the inside fabric which the outside fabric of the tie is sewn onto. It is not easily noticeable unless you unfold the apron at the back of the tie and look feel within.
  • The lining details in this era are fundamentally creating the fullness in mens ties compared to traditional ones where they relied on several folds of the silk.
  • Make sure that lining runs throughout the neckband of the ties, otherwise there will not be consistency in the finishing look of the tie.
  • The lining details on mens ties are the pillars holding up the shape. Majority of mens ties have the lining made from wool. Lighter and finer silk ties usually have heavier wool lining to give more weighting and body to the tie.
  • While the thicker or heavy weaved silk ties have lighter lining requirements. In order to judge the weight of the lining, just take note the number of stripes, the more the stripes means heavier the lining.
  • It is important to differentiate whether it is the heavy silk fabric providing the fullness in hand or was it the lining that made the overall heavy finish.
  • Quality details on mens ties should always be base on the outer silk fabric giving the fullness and never the lining.
  • Just a note, there are some summer ties where there are no lining inside. So these mens ties looks a lot skimpier and skinnier than the usual silk ties.

    Bias Cut
  • Fabrics details on mens ties have to be cut at a 45-degree angle bias. This bias cut is a quality assurance that keeps the fabric from twisting after tying the knot. The mens tie should always fall straight down flat.
  • There should not be any case of twisting when the tie is held up, otherwise then it means there is no bias cut being made and definitely not a tie worth buying.
  • High quality details on mens ties from the outside fabric, lining, and tipping are all involved in the bias cut.

    Bar Tack
  • This is a small thread stitched across the back of mens ties to that joins the main seam of the two folded portions. It provides reinforcement for mens ties at this point and maintains the shape of the tie.
  • There should be 2 bar tacks one on each end of the tie. Check to make sure that the threading is tightly twisted to strengthen the bonding. It should not in any case become loose.

    Slipstitch
  • One of the most inconspicuous details on mens ties, the slipstitch is actually a loose long black thread that is sews the shell and blanket of the tie to provide elasticity and recovery.
  • It is meant to make mens ties movable from one end to the other and not break at the seam.
  • When tying the tie tightly, the slipstitch allows the tie to drape properly and not break apart.
  • It also helps the tie to get back in shape upon removal by simply pulling the slipstitch. This unique threading can be found inside the ?V? spread within when opening the apron.

    Loop
  • This is the most prominent details on mens ties at the back meant for sliding the back piece of the tie.
  • Generally most loops are made with the label printed or sewn on it. However, well-made mens ties have an additional loop that is made from the same fabric as the tie.
  • High quality loops are actually hand-sewn to give is a sturdy finishing. To recognize hand stitched loop we focus on stitching at the four corners of the loop to the shell. Machine sewn ones usually have the loop sewn vertically along the edges of the loop.

    Tipping
  • The most visible fabric details on mens ties at the opening end of the back apron. This is usually made of fabric with similar patterns to the tie or of a matching shade as the tie.
  • There are some ties that use interesting contrast for the tipping against the color or pattern of the tie itself as an ornamental presentation.
  • Good quality mens ties have the tipping made of silk but there are many commercial neckties made with synthetic fabrics.
  • There are designers that print their label on the silk tipping to represent ownership for the particular silk pattern.

    Lighting Glossary: Terms to aid your search for the perfect light

    Lighting Glossary: Terms to aid your search for the perfect light

    Lighting Glossary: Terms to aid your search for the perfect light Shortly after venturing into the world of lighting, you'll probably realize that it's a bit more complex than you might have thought. Incandescent, fluorescent, downrods, baffle - it's easy to get lost out there. Our glossary of lighting-related terms will aid your search for the perfect light. If you can't find the answer here, call us with any questions you may have, (800) 457-2109. We have a trained staff of lighting experts who can help you.

    Key Terms
  • Ambient: Ambient light, also known as "general light", is an overall level of lighting in your room. Ambient light should provide a comfortable amount of light to suit how the room is used.
  • Base: The decorative body of the lamp, a base can be constructed from an array of materials: metal, brass, porcelain, crystal, hydrocal, or wood to name a few. Bases should be solidly constructed to resist tipping during normal use.
  • Color Rendering Index: Light bulbs offer a varying range of attributes that can produce different light outputs and qualities. The color rendering index (CRI) provides a base of mesaurability to render color accurately and consistently.
  • Color Temperature: Color characteristics of light (temperatures) measure the appearance of the light from warm (yellows/red) to cool (white). Color temperature is rated in degrees of Kelvin and do not reflect the physical temperature (or heat) of a lamp. Light sources such as incandescent bulbs (2700 degrees Kelvin) and halogen lamps (3000 degrees Kelvin)are at each end of the color spectrum.
  • Dimmer Switch: Gradually increases/decreases light intensity. Most torchieres are equipped with dimmers or high/low switches.
  • Downlight: A light fixture that concentrates light in a downward direction. Most often this refers to recessed lighting, though many ceiling fixtures now have more concentrated beams of light.
  • Non-unifrom Downlighting: Non-uniform downlighting uses less light sources and delivers a more "individualized" beam spread of light. This lighting technique creates a more interesting visual effect in a space as the beams do not overlap as in general uniform downlighting. Unifrom Downlighting: Unifrom illumination bathes horizontal surfaces in light. Typically a general lighting technique, uniform illumination adds little dramatic impact to a space.
  • Downrods: An accessory for pendants and chandeliers to add length
  • General Lighting: General Lighting provides an area with overall illumination. General lighting is basically the lighting that replaces sunlight and is fundamental to a lighting plan.
  • Lumens: The amount of light a bulb produces.
  • Swag: Decorative motif, image of a garland of fruit and flowers or of a length of cloth, tied with ribbons and attached to a background. If tied at both ends and suspended from them in a loop, a swag is generally called a festoon.
  • Task Lighting: Task lighting is for those areas where tasks or activities such as reading, paying bills, etc. take place. Task lighting should work with a room's general lighting and enhances the use of a room. Task lighting can be provided by adding portable lamps, undercabinet lighting as well as the addition of recessed lights at specific areas.
  • UL and CUL: Underwriters Laboratory, Inc., like Electrical Testing Laboratory (ETL), is an independent, not-for-profit product safety testing and certification organization.
  • Uplighting: Uplighting visually expands a room by providing ambient light. Use them as a complement to recessed down lighting, and place them where they appear aesthetically balanced in the room.
  • Wattage: The amount of electricity consumed by a bulb.
  • Wall Lighting: The illumination of vertical surfaces can impact that perception of a space more than any other type of lighting. Light reflecting off walls creates a bright, spacious feel and adds visual interest. Dramatic effects can be achieved with light to illuminate vertical surfaces and highlight objects. Through proper lighting selection and placement a room can appear more spacious and interesting.
    - Grazing: For dramatic effect on textured surfaces such as stucco, stone or brick, place fixtures 6-12 inches away from the wall. Grazing is not recommended on smooth surfaces as surface imperfections will be exaggerated.
    - Light Scallops:Light scallop is an effect created when the fixture is placed closer to the wall resulting in a more concentrated and tighter scallop. Scallop light effects are often a part of the lighting plan for added drama, however they can be inadvertently created is fixture placement is not properly calculated.
    - Wall Washing: For a gentle and even illumination of a vertical space, place fixtures the same distance apart as they are from the wall. Wall washing is best suited for smooth surfaces.

    Types
  • Address Light: This light fixture is usually composed of a backlight that illuminates street numbers. Affixed to the front of a house, or at the end of the driveway, and Address Light lets visitors find a house even in the dark.
  • Bathroom Ceiling Fan: Bathroom ceiling fans are used to clear out the hot and humid air that occurs when the shower is running.
  • Bathroom Vanity Light: Bath or vanity lighting refers to fixtures used to light the mirror in a bathroom. A bath strip is a long fixture that mounts along the top or sides of the mirror.
  • Ceiling Cloud: Ceiling clouds are indiscrete overhead lights that blend into their surroundings. They get their name from their white color and conventionally curved shape.
  • Chandelier: A branched, decorative lighting fixture that holds a number of bulbs or candles and is suspended from a ceiling. These fixtures come in a variety of finishes and are most often traditional or contemporary styles. This fixture if often used to elevate the decor of a room. Some manufacturers are no carrying select styles of outdoor chandeliers to illuminate your covered patio or gazebo. Additionally, many manufacturers have now begun to carry mini-chandeliers. Mini-chandeliers are best for hallways and smaller rooms.
  • Convertible Pendant: A convertible pendant is a dual function light fixture. It can be used as a hanging pendant with a chain or rod, and can also be mounted as a semi flush mount to the ceiling surface.
  • Deck Light: These light fixtures are mounted on deck surfaces and are used to illuminate hand rails, steps, as well as to create an overall ambience in your exterior living space.
  • Desk Lamp: This fixture is used on desks for work or study. These can be very utilitarian styles or a more decorative style such as a banker or pharmacy lamp. The light source should be sit about 15" above work area.
  • Directional Light: A fixture commonly used for mood lighting. They can provide a decorative accent that draws attention to a particular area. Directional lights are also known as exhibit, display or spot lights.
  • Display Light: Display lights have a focused direction that is used to highlight or accent a specific element of the room. A wall mounted display light, for example, might be positioned over a painting to emphasize its impact in the d
    • You are here: Home

    We search top stores daily so you don't have to.

    For personal non-commercial use only; please check stores for current prices and exact amounts. Product specifications are obtained from merchants or third parties. Although we make every effort to present accurate information, Okto is not responsible for inaccuracies. Store ratings and product reviews are submitted by online shoppers; they do not reflect our opinions and we have no responsibility for their content.

    OKto.com - 4283 Express Lane, SUITE 003-239, Sarasota, FL 34238, p: (941) 538-6941, f: 8154253395, e: support [at] okto.com

    As remuneration for time and research involved to provide quality links, we generally use affiliate links when we can. Whenever we link to something not our own, you should assume they are affiliate links or that we benefit in some way.